Part 4
This was indeed a small, very low key gig, but of huge significance
to John who needed to test his voice in public for the first
time. He would decide today whether or not to form a band
and take his album, Checking Out of London on the road
Perhaps
it was a coincidence when I saw Howard Jones at the airport,
but on reflection I now see it as some sort of sign: the
singer songwriter from the 80's doing his stuff onstage
(John Hackett) and the manic dancer prancing around beside
him (yours truly). Perhaps a psychic message was being sent
to me in the BA departure lounge at Heathrow as I waited
for the flight to Newcastle; perhaps there is a place in
today's market for another singer-songwriter; perhaps John
Hackett is about to achieve global recognition and the royalties
will come flooding in- and perhaps I'll be expected to dance
in a cage at the side of the stage. Dream on!
I
booked into a room at the Hilton with an impressive view
of Tyne Bridge. Across the river, wedged between office
blocks, I could see the back of the small club- well actually
it was a pub- where John would be performing, assisted by
local Geordie and musical genius, Tony Patterson. Perhaps
this was yet another sign: I had unwittingly booked the
only room in Newcastle with a view of the gig and it seemed
that John's name was almost written in the dirt of my hotel
window
hmmm
could be a good lyric there. Below,
police were milling around preparing the area for a photo
shoot for Naked City, featuring thousands of locals- all
stark naked, of course. Another sign? Perhaps someone was
telling me I should have packed my vest. I wonder now whether
any of those naked participants had looked up at the third
floor of the Hilton at around 5.30 in the morning and noticed
a middle aged man at the window, staring out
eating
a room service vegetable korma
deep in thought at
the prospect of John forming a band.
Some
months later here I am in the Fulham Road, ordering champagne
and traipsing around numerous delis in search of snacks
for the post rehearsals friends and family show at the Soundstage
Studio in Park Royal, where the John Hackett Band have been
rehearsing for several weeks. Things had gone far better
than expected, although in truth I hadn't envisaged being
catering officer and a Rigsby-esque B+B proprietor. Before
all this I had no idea Tony Patterson has to have his boiled
eggs just so, or that 'be prepared' Neil Marshall- John's
powerhouse of a drummer- has a penchant for all things inflatable
well, mainly mattresses in fairness.
Tony,
Neil and John do like a cooked breakfast (so rock and roll!)
and feel terribly guilty about ringing my door bell in the
small hours after a session in one of the local night clubs.
But I'm not complaining, I'm just not quite getting the
expected creative buzz out of all this at the moment. Fate
has somehow conspired to make me - for years the arch ligger-
the facilitator of other people's ligging. A cruel twist.
Thanks,
Steve. The deeper we venture into this madness, the more
I'm beginning to see- albeit in a miniscule way- the pressures
you must have been under and what a distraction those non-musical
issues can be. I cannot wait to get down to more song writing
but there are emails to be sent, t-shirts to be designed,
hotel arrangements to be made and eggs to boil
no
small feat for a vegan! Was I meant to feel like this when
we embarked on this antidote to mid-life crisis? But John
and the band are on a high and the songs are sounding great
I felt much better after the Charterhouse School show: less
catering, I suppose. We had an audience comprising pupils
from the school, parents, teachers and relations of the
band- including Lord and Lady Hackett. Neil Marshall had
set the gig up and had conjured a PA system and lighting.
We had a crew, roadies and merchandise- an even an audience,
although they probably hadn't heard most of the music before.
John gave an impressive, polished performance and seemed
at ease in his role as front man. Steve-ever the supportive
big brother- joined the band for a few numbers, tearing
into Ego and Id, leaving Andy Gray- a brilliant guitarist
in his own right- a bit shell-shocked! The talented bassist,
Andy Hyam, even seemed to be enjoying the proceedings.
Nick
Magnus already has his Hexameron t-shirts back from the
manufacturer and on sale on the merchandise stall, while
I'm still waiting for the mock-ups to arrive and can't really
decide on a design. I hope we'll have ours ready for the
Sheffield show. And if they are ready, I hope someone actually
buys one. Stressful.
Who
knows where this will take us? My mate, Stephen (Unwin)
Brown, recorded 'On The Shore', a seminal folk/rock album
in the '70's with his band 'Trees' and now- some 35 years
later- he's riding high, having been sampled on the title
track of Gnarls Barkley's monster album, St Elsewhere. Last
night I joined him on a foray to Notting Hill to thank the
proprietor of the 'Minus Zero' record store who had recommended
Trees to Danger Mouse, the super-hip producer and creative
force behind the Gnarls Barkley phenomenon. I was straight
in there, up to the counter telling the guy that my mate
was outside and he wanted to come in to thank them for the
recommendation and how his life had been changed and how
cool it was that something recorded 35 years ago was now
being played across the globe. Mid-flow, another friend
whispered in my ear that I was in the wrong shop and that
I was almost crushing a very small person in headphones
who was level with my groin, listening to music at the counter.
Embarrassed, I turned tail and left. However, we did eventually
find the right shop and I managed to hand over a couple
of copies of Checking Out of London
just in case there's
any more sampling to be done on platinum albums. Apologies
to Rough Trade who must have thought I was deranged- and
to the chap at the counter whom I sincerely did not notice
in my stampede to impress.
Life
can be so strange. Damo Suzuki from Can, the brilliant German
experimental band, was a huge hero of mine back in the loon
infested '70's. Now there's a strong rumour he may be improvising
on stage with a certain Sheffield based flautist. The same
flautist who recorded an acclaimed rock album with no flute,
sings lead vocals and plays mean licks on lead guitar
Whatever next?
Next:
Sheffield Boardwalk. Songs for the new album. Genesis Convention.
Is there anybody out there?
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